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Bruno Lévêque
Lead Generalist at Industrial Light & Magic
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Lost In Space

https://vimeo.com/265019002

Lost in Space | Breakdown Reel | Image Engine VFX

Episode 1 -- I've been responsible for creating a 180° Environment Projection setup to use on a dozen of shots.

Episode 1 --
I've been responsible for creating a 180° Environment Projection setup to use on a dozen of shots.

Starting from the initial work of Julian Calle (Concept) and Arnaud Pecqueur (DMP), I developed the look of the sequence and took care of the matte painting, the projection setup.

Starting from the initial work of Julian Calle (Concept) and Arnaud Pecqueur (DMP), I developed the look of the sequence and took care of the matte painting, the projection setup.

I also had to manage some overrides on a shot basis while preserving the continuity of the shots. Finally I also did some 3D layout work to add some CG trees in the foreground.

I also had to manage some overrides on a shot basis while preserving the continuity of the shots. Finally I also did some 3D layout work to add some CG trees in the foreground.

Episode 2 -- While Hubert Zapalowicz took care of the valley / bottom part of this environment, I did quite a lot of work (layout, sculpt, dmp, projSetup) - alongside Pablo Del Molino - to create the cliff and top section of this environment.

Episode 2 --
While Hubert Zapalowicz took care of the valley / bottom part of this environment, I did quite a lot of work (layout, sculpt, dmp, projSetup) - alongside Pablo Del Molino - to create the cliff and top section of this environment.

Episode 5 -- Reusing part of the Episode 2 environment - I recreated the cliff face in DMP, which gave us the opportunity to add more interest/parallax/details to the cliff and help sell the shot.

Episode 5 --
Reusing part of the Episode 2 environment - I recreated the cliff face in DMP, which gave us the opportunity to add more interest/parallax/details to the cliff and help sell the shot.

The guys in assets did a great job extending the top area of the cliff. I then provided some DMP patches and 3D renders (mostly rock scattering) to Comp to add the last details.

The guys in assets did a great job extending the top area of the cliff. I then provided some DMP patches and 3D renders (mostly rock scattering) to Comp to add the last details.

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